Pastries and Other Things History Has Tried To Choke Us With by Margaryta Golovchenko

“Tom Sawyer Resurrected,” Acta Victoriana, Volume 144 No.“Letter to a Quarantined Lover,” 845 Press Pandemic Chapbook Anthology, April 2020.“Sunflower,” Rejoinder, Issue 5: Storytelling for Social Change, May 2020.“The Bride Stripped Bare by Her Bachelors” and “Kept,” Long Con Magazine, Issue 3, May 2020.“Modern Bestiary, or the Interim Zoo,” Menacing Hedge, Spring/Summer 2020, July 2020.“Golden Age,” Sad Girl Review, Issue 5: Collections & Lists, September 2020.“Dewdrops,” “Venus,” and “Sea Salad for the Sleepless,” deathcap, Issue 2, deathcap, October 2020.“The Centauress,” Horse Egg Literary, Issue 2: Bestiary, March 2021.Miso Mermaid, words(on)pages press, October 2016.Pastries and Other Things History Has Tried to Choke Us With, dancing girl press, October 2017.“Hedgehogs, the Keepers of Order and Knowledge in Slavic Fairytales”, Tiny Donkey, April 2016.“The Object as Concept: Exploring the Role of Materiality in Yoko Ono’s The Riverbed”, Porridge Magazine, July 2018.“The Colours of Empire: Mongol Influence on Colour in Yuan Dynasty Porcelain,” Princeton Journal of East Asian Studies, forthcoming.“Literary Landscapes: Characterizing Space Through Dreams and Reality,” The Wellington Street Review, July 2019.“The Female Body as Commodity: The Woman in Alphonse Mucha’s JOB Poster (1896),” Coalition of Master’s Scholars on Material Culture (CMSMC), October 2020.“Defying Nature: The Challenges of Conserving Organic Contemporary Art,” Atelier 1, no.“The Hidden Dreamscape of Claude Tousignant’s Violence Lucide,” The Decadent Review, May 2021.“Between Artist and Curator: On the ‘Laws of Attraction’ in Edmund de Waal’s Elective Affinities Exhibition.” tba: Journal of Art, Media, and Visual Culture 2, no.“Accessing Blue in Maggie Nelson’s Bluets,” Capacious: Journal for Emerging Affect Inquiry, forthcoming.“Monstrous Purity: Virtue, Womanhood, and the Fluid Nature of the Unicorn,” Fantastika Journal, forthcoming.“Surreal Femininity: Nature and ‘Woman’ in the Art of Marguerite Humeau,” Journal of Posthumanism, forthcoming.Honours Bachelor of Arts, High Distinction, Specialist in Fine Art History and Major in Literature & Critical Theory, University of Toronto, 2015 –2019.Masters of Arts, Art History, with a Curatorial Practice Diploma, York University, 2019-2021.

Doctor of Philosophy, Art History, University of Oregon, 2021.

Pastries and Other Things History Has Tried To Choke Us With by Margaryta Golovchenko